In the Growing book_paper on wood, I use carbon strips and burning books as the first layer of the picture, which imitates the part where the tree's roots meet the soil; here is the more unspeakable aphasia part. And this combined landscape is broken on the plane by the raised page fragments and the gypsum seeds at the bottom, which hover over the picture, the mixture of images and movements are intertwined, and the painting and sculpture are opened up. The sandy medium and sand are mixed into the acrylic paint; they are the dirt in the picture, the earth. Then, after all the magic is done, the soil covers them, where the magic can secretly ferment.